Computers have altered so many aspects of musician’s lives, from digital performance, to electronic composition, to how we acquire and share new music, but only recently have they had the potential to transform how we study and analyze music. Michael Scott Cuthbert (MIT) and Matthias Röder (Harvard) introduce the new world of Digital Musicology by showing the techniques and tools that allow scholars to “listen faster”: to examine and analyze large repertories of pieces in the time that a human musicologist could only look at and hear a single work. Through computational analysis, clustering techniques, visualization tools, and data-mining of musical works, the landscape of our understanding of music is being shaken and new ground created for the wired music scholar.

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