Topics
Computers Conferences Digital Musicology Management Miscellanea Musicology Teaching
Keywords
Ambrosian Chant Arcade Fire ASECS Baroque Music Chant Conferences Contemporary Music Copyists Danny Elfman Database Digital Musicology Digital Musicology Study Group Drew Massey Gallarate Georg von Dadelsen Handwriting Hans Zimmer Harvard University Houghton Library Incubus Inventoriana J-Term Johanna Reese Johann Sebastian Bach Liturgy Los Angeles Philharmonic Manuscripts Mark-up Mark Knoll Medieval Music Michael Scott Cuthbert Mike Einziger MIT music21 Musica Ficta Music History Powerpoint Scribe Scribes Social-History Source Source Studies Teaching The Red Hot Chili Peppers Vampire Weekend
Papers and Presentations
  1. From Representational Splendor to Cultural Edification: The Role of Music in Eighteenth-Century Prussian Politics, American Society for Eighteenth-Century Studies, Vancouver, March 2011.
  2. “The Permutation Fugue and Johann Sebastian Bach’s Compositional Development,” 14th Biennial International Conference on Baroque Music, Queens University Belfast, July 2010
  3. “SCRIBE: Datenbank und Digitale Werkzeuge zur Identifizierung von Musikkopisten,” Das Instrumentalmusikrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts. Überlieferung und Kopisten, University of Dresden, Germany, June 2010


  4. “Between Representation, Entertainment, and Music Cultivation: Public Concerts in the Hotel Stadt Paris in Late Eighteenth-Century Berlin,” American Society for Eighteenth-Century Studies Annual Meeting, Albuquerque, NM, March 2010
  5. “Beethoven’s ‘Little Finale’ for Opus 130: Stopgap or Real Alternative?” Performing Beethoven Quartets: A Symposium with Lewis Lockwood, Joel Smirnoff, Alan Gosman and the Chiara Quartet, Harvard University, February 2010
  6. “Öffentliche Musikkultur in Berlin an der Schwelle zum 19. Jahrhundert,” 14th International Congress of the Gesellschaft für Musikforschung, Universität Leipzig, Germany, October 2008
  7. “An Ambrosian Monastic Manuscript? Notes on Houghton MS Typ 299″ (Co-authored with Art Historian Jessica Berenbeim), Ambrosiana at Harvard: New Sources of Milanese Chant, Harvard University, October 2007
  8. “Computer-Aided Handwriting Authentication and Searching by Handwriting Similarity in Music Manuscripts,” Max-Planck Institute for Computer Science, Saarbrücken, Germany, July 2007
  9. “Berliner Musikgeschmack um 1800 im Spiegel von Johann Carl Friedrich Rellstabs Musikalienkatalogen,” Urbane Musikkultur in Berlin. Von der spätfriderizianischen Zeit bis ins frühe 19. Jahrhundert. Berlin-Brandenburgische Akademie der Wissenschaften, Germany, March 2007
  10. “Music: Drastic or Gnostic?” paper and panel discussion, European Network for Musicological Research, Humboldt Universität Berlin, Germany, February 2006
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